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The ESO gratefully acknowledges our generous government funding:




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| Piano Spectacular Contest
Do you dream of playing a Steinway Piano in a world-class concert hall?
Upload a video of your piano performance to YouTube for a chance to do just that!
The performer with the most creative video - based on everything from musicality to uniqueness - will win the opportunity to play the Winspear Centre's Steinway piano on the Winspear stage for up to twenty guests! The winner will also receive a pair of tickets to the ESO's Piano Spectacular performance on March 10, 2010.
So get practicing - the contest ends March 1.
Click here for contest details and to enter! |
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Wine Tasting Fundraiser
Flavours of Portugal, the ESO's Wine Tasting Fundraiser, takes place at the Winspear Centre on February 10, 2010. Support your ESO by attending this epic wine tasting event and auction featuring over 70 wines and ports! Tickets are $125 each, including all tastings, and a tax receipt will be issued for a portion of the ticket price.
More Info
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On Sale Now!
The outstanding musicians of the Classical Mystery Tour return on May 12 to present Live and Let Die. Tony Kishman's award-winning re-creation of the sound and look of Paul McCartney will dazzle you in combination with the power of a full orchestra. From his great songs with The Beatles to his outstanding solo music, Paul McCartney's legacy comes alive on the Winspear stage for one night only.
More Info
Buy Tickets |
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Connect with us!


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There are lots of ways to interact with the ESO online! Check out our blog or youtube channel for additional content about our performances, and about music and the arts in general.
Become a fan of the ESO on facebook to interact with us and other patrons, or follow us on twitter for concert updates, late-breaking news, and more!
ESO Music Director William Eddins is rarely at a loss for words, and you can catch up with his latest thoughts at his own blog called Sticks and Drones.
The views expressed on the blogs or websites linked to this website are those of their respective authors, and not necessarily representative of the views of the Edmonton Symphony Orchestra, the Edmonton Symphony Society, or the Edmonton Concert Hall Foundation.
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